UNFOLDING INDIAN MYTHS FOR MODERN READERS

Times Of India article by By Vandana Shukla

A New York-based publication is coming up with a book on Indian myths, written by city-born poet Kamla K Kapoor.

Chandigarh: The richness of Indian myths, particularly their spiritual and philosophical essence, has baffled the world for ages. Now, they feel the need to understand them. The Hindu myths offer to the world in easily comprehensible narratives what spiritual gurus have been attempting to explain through a complex web of spiritual austerity. New York-based Mandala Publication is coming up with a book on Indian myths, written by Kamla K Kapoor, a city-born poet settled in the US.

Kapoor has lived in the Kullu valley for the last three months, researching and compiling material for the book. “Kullu is called the Dev Bhumi, the land of the gods. I find each myth a repository of wisdom and solace, filled with a new message of hope.” She says her interest in the myths of the land has been intrinsic. “An old journal of myths, traditions and research, ‘Parabola’, published from New York, had already published some of these myths. The publishers of this book had seen that work and approached me to come up with a book on obscure Indian myths retold for a modern audience. The book will hit the market in March 2007,” informs Kamla.

The book of Indian myths, titled ‘Ganesha Goes to Lunch’, contains about 24 myths picked from various sources, primarily from the Ramayana and Mahabharat, Vedas and Purana. Some myths are picked from the ever-evolving oral tradition of Indian mythology. The West’s interest in Indian myths could be explained by the fact that Indian mythology has a unique distinction of using a magical way of looking at life, that gives one a perspective to access life with a strategy that helps one cope with all unbearable pains and miseries with a sense of normality attached.

Since the book’s target audience is the western world, Kapoor has been asked to provide a detailed introduction to all the characters and the source stories. “The stories are short, usually no more than a few pages, and encapsulate some of life’s essential truths. The gods of India in their abodes, humans struggling with life’s problems, and gods and humans interacting, all reveal their lessons” adds Kapoor.

The stories are embellished, and dramatised to reveal their relevance to modern times. Shiva and Parvati’s wedding reveal a love that includes but transcends the battle of the sexes. Vishnu’s incarnation as a boar demonstrates the strength of the bonds of attachment that even gods are not immune to. Brahma’s entrapment in the web of ‘maya’ leads him to learn to free himself with his mind. Krishna’s compassion for a little bird ensures that creation continues even within the destruction of war. Markandeya’s falling out of Vishnu’s mouth and into the ocean of chaos humbles him in the face of the mystery of life. These are a few of the immensely readable and instructive tales included in the collection, adds Kapoor.

“Life is infinitely more marvellous than our day-to-day business and work, money and illness, family and bosses would make it seem. It is precisely the function of myth to thrust us out of the quotidian into the miraculous. One lives life more deeply, with greater peace and joy, when one lives with the enigmas that permeate it. These stories warp our minds, and allow us a perspective on life, on its incredible, enmeshing, magic web of ‘maya’, and the dream-like nature of our experience on this planet”, writes Kapoor in the introduction about ‘Ganesha Goes to Lunch’.

Kapoor has to her credit a number of publications, and her anthologies of poems – ‘Radha Sings’ and ‘As a Fountain in a Garden’ – have received rave reviews, apart from a number of full-length plays.

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